The Hills Have Eyes
The original score for Wes Craven's landmark horror film, recognized for its innovative use of atmospheric dread and suspense.
In the
Studio.
Don started out as a guitarist, touring with the Everly Brothers and Ray Charles before settling into the Los Angeles studio scene.
He played on Motown records, worked with the Wrecking Crew, and later moved into arranging and film and television scoring.
The Soundscape.
Navigating the desolate landscapes of horror, Don utilized strings and unconventional percussion to create an atmosphere of raw, unyielding tension that helped define the genre's sound. In 1977, Wes Craven hired me to score a very dark horror film entitled 'The Hills Have Eyes'. I was immediately struck with the brutality of the characters, and I decided to create a sparse and disturbing score, utilizing both acoustic instruments and a few experimental electronic instruments.
The Creative Process
Savage Environment
The Hills Have Eyes score is characterized by its gritty, abrasive, and relentless tone, perfectly capturing the desolate and savage environment of the Nevada desert.
Minimalist Approach
Eschewing traditional orchestral warmth, Don opted for harsh dissonances, sparse acoustic elements, and unconventional percussive instruments.
Survival Horror
This minimalist, raw approach was instrumental in building the film's gritty, survival-horror atmosphere and cementing its legacy.
Awards & Accolades
Nominee: Best Music - Saturn Awards (1978)
Available Releases.
Explore official releases preserved from original masters through verified legacy partners.
